Sunday, 3 February 2019

CONSUMER DEMOGRAPHICS VS

In the UK and other westernised societies, Victoria’s Secret has 3 target demographics: mature women (30+), young adults (20-29), and men who shop for their female partners. Still, they are selling an attitude instead of products aimed at a particular demographic like young mothers for example. Many customers relate and resonate with the lifestyle that the brand portrays through advertisements, products and models used, regardless of age. Almost any girl or woman dreamed or still dreams of looking or having the life of a Victoria’s Secret model and buying from VS allows a piece of that aspirational lifestyle into customers’ lives.
Using observation methods, girls as young as 13 have been spotted shopping the brand. Nowadays, it is commonplace for younger generations of consumers to use technology on a daily basis. These young girls have the opportunity to find any information online or on social media. Hence they are always in-touch with trends, sales and events advertised on a brand’s online page. They not only desire to achieve that coveted lifestyle they see on Instagram, they also have the means to fulfil their fashion cravings. This is why a recent Condé Nast and Goldman Sachs report showed that “Victoria’s Secret was the most loved brand among Millennial and Gen Z women it surveyed (aged 13-34 years).” (Danzinger, 2018)
While Victoria’s Secret is aimed at women 18+, brand extension PINK markets to college girls(18+) or even younger, bringing the same It girl lifestyle adapted for a younger consumer.
Internationally, consumer segmentation is not only based on psychographics, but also on geographics, as for women with different religious and ethnic backgrounds, certain VS products might be perceived as out of place.

Source of quote: Danzinger, P. M. (2018 Sep 8). Victoria's Secret May Be Women's Most Beloved Brand, But That's Not The Love It Needs. Retrieved from https://www.forbes.com/sites/pamdanziger/2018/09/08/victorias-secret-may-be-womens-most-beloved-brand-but-thats-not-the-love-it-needs/#1d1bc30b32bb


References: 


Danzinger, P. M. (2018 Sep 8). Victoria's Secret May Be Women's Most Beloved Brand, But That's Not The Love It Needs. Retrieved from https://www.forbes.com/sites/pamdanziger/2018/09/08/victorias-secret-may-be-womens-most-beloved-brand-but-thats-not-the-love-it-needs/#1d1bc30b32bb

Fromm J. & Read A. (2018). Marketing to Gen Z: the rules for reaching this vast, and very different, generation of influencers. Published by AMACOM 

QUOTES:

Media is not just a portal by which to deliver ads and promote your brand. That singular way of thinking is why so many brands are failing.Today, Pivotals are looking to brands to improve what they see in themselves. The role for marketers is to partner with Pivotals on their journey to discover Brand Me.
A bad fashion choice doesn’t just haunt teens as they walk the hallway. Their choices can follow them everywhere. The judgment and criticism don’t stop when they get home. Nearly anyone can cultivate a personal image that’s as public as a celebrity’s or as influential as a brand’s, whether they want to or not.As a result, Pivotals obsess more over their appearance—offline and online—than generations past. With their curated identities so public, teens are hyperconscious of the way they present themselves.

Today, with so many messages promising perfection, Pivotals are hungry for authentic communication. They have been marketed to their entire lives and can smell a promotional ploy or phony message from a mile away. 






MINTEL STATISTICS


Source: Mintel/ Lightspeed 2018 (Apr)


These tables enable us to better understand the lingerie market as a whole. Where consumers shop, their opinions on different brands, what they prefer and what they would change, differences between generations, financial situation etc. 



SOCIAL MEDIA AND INFLUENCER MARKETING VS


For many years Victoria’s Secret used the “supermodel” recipe for success to mass market products by taking advantage of people’s natural instinct to compare themselves with someone else considered superior. A Victoria’s Secret model is the epitome of success in today’s society: perfect body, social status, financial means to fulfil their desires and some of them are also perfectly happy mothers and wives. Studies show that women and in particular young females are more prone to be impacted by the media, more likely to base their self-worth on appearance and “are more at risk for negative effects (Fallon & Rozin, 1985)”. (Strahan, Lafrance, Wilson, Ethier, Spencer, 2007)
Using prominent figures in the cyber-world is one of the Victoria’s Secret staple marketing strategies. Not only do customers associate the brand with their favorite supermodel and influencer (Kendall Jenner, Bella and Gigi Hadid, Candice Swanepoel etc.), but these models also create a lot of buzz on social media before, during and after the annual fashion show. In 2018, the lingerie giant dressed the Kardashian-Jenner sister for Halloween, which helped increase their following and most certainly advertised that year’s fashion show.
Victoria’s Secret are present on all highly used social media platforms: Twitter, Facebook, LinkedIn, Instagram, Snapchat and Youtube. Overall, the engagement they get does not match the huge audience they have and their content is similar across different platforms. Analysing the differences between Millennials and Gen Z, one can tell they prefer different platforms, hence the content should be slightly different between photo and video-based platforms and discussion-based platforms. Youtube is the safest social networking website for brands that want to market to both generations, as 80% Millennials and 85% Generation Z consumers use the platform (Van Elven, 2018). On their Youtube VS have 1,742,820 subscribers (1/27/2019) and their latest fashion show reached 8,431,091 views.
Visually, all their platforms match the in-store design, colour-scheme and overall brand identity.


References:

Van Elven M. (2018, Jun 07). What do Millennials and Generation Z consumers want from retailers?. Retrieved from: https://fashionunited.uk/news/business/what-do-millennials-and-generation-z-consumers-want-from-retailers/2018060730094

Strahan E. J., Lafrance A., Wilson A. E., Ethier N. (Wilfrid Laurier University); Spencer S. J., Zanna M. P. (University of Waterloo) (2007, Aug 14). Victoria’s Dirty Secret: How Sociocultural Norms Influence Adolescent Girls and Women. 






FOCUS GROUP INTERVIEWS

1.Have you ever heard about Victoria’s Secret? 2.Do you like the brand? What are your thoughts about their current aesthetic? 3.Do you think VS angels are good role models for younger girls? 4.Why do you think VS has been such a successful brand so far? 5.What do you think about their fashion show? 6.If you could change something about the brand, what would your recommendation be? 7.Where do you usually shop for underwear or lingerie? And why do you choose this place/brand over another? 8.Do you prefer in-store or online shopping for lingerie and why? 9.What bra style do you prefer? Push-up or comfortable/sport bras? 10.Do you believe that all lingerie brands should be inclusive?





Ilinca Barbato, 23 (Participant 1)

1.Yes
2. I am not sure if I like the brand itself or fantasy that was created around it. I am really not up to date with their current aesthetic, but I find the underwear in general very creative and colorful. Of course their provocative cuts and shapes presented on the runway are what we all think about when asked about VS
3. Up to o point yes. On one hand they are good example of ambition and hard work, proving that one can achieve his dreams when the goal is clearly set. On the other hand these models can have a very bad influence on young, fragile girls. Looking up to someone sized 90-60-90, known only for her beautiful hair, glowy skin and perfect long legs can damage a young girl identity, creating a false beauty ideal. When looks are so highly promoted, other values fall in the background, leading to a superficial society, obsessed with their image only. The one who doesn't "fit the standard" are marginalized or do it to themselves alone, can create depression and bad self esteem
4. Because it promotes an ideal and creates a dream. It allows the normal person to feel exclusive and special and this it what all of us wish for.

5. The fashion shows are the reason I've heard about VS. I only watch these for the entertainment and not really for the designs.
6. Nowadays, a lot of women fell that the Victoria’s Secret “paradise” is actually a world of exclusivity where the idea of female beauty and sexiness is narrow: white, slim and 6ft tall. My recommendation would be to include +size models, change the message they deliver, become more aware about the influence and power they have on young girl, include their basic pieces in the fashion shows
7. Intimissimi maybe or HM. Why? Good price-quality ratio, very convenient, you can find them in every mall
8. In store shopping because I can try on the bras and touch the fabrics.
9. Comfortable ones for every day and push up for special occasions.
10. No, not really. Especially if you are positioning yourself as a high value high class exclusive brand as VS does. It cannot target all market groups since they don t all belong to the wealthy ones.



Ioana Alexanra Oniga, 23 (Participant 2)


1.Yes 2.I have mixed feelings about the brand – on one side their lingerie collections were never disappointing while on the other side I do not particulary agree with the fact that they recruited models like Kendall Jenner only for the sake of advertising. Regarding the aesthetic 3.No I do not because some teenagers are even willing to put their health at risk by starving themselves just because they feel ugly of fat compared to the VS Angels and believe that every woman should look like them - it is a well known fact that VS Models keep a strict diet months before their show because this is actually their job. 4. Because they brought something new to the table – they are unique because while other companies use celebrities for advertising (VS used this practice too especially in the last years) being a model at VS creates modeling careers. 5.The event draws the attention of million people from all over the world when it airs on TV. I think it was so successful because they are very customer focused , due to the marketing strategy and because of the innovation they brought to this field. 6.I would recommend a Fashion Show with women of all sizes in order to encourage anxious young girls to never feel shamed of their body. 7.I usually shop at H&M because they offer high quality lingerie at more than decent prices. 8.I prefer online shopping for lingerie strictly because the lack of patience for in store shopping. It suits me the best but I believe lingerie online shopping is risky especially if you do not know your size. 9. I prefer push up bras most of the days but when it comes to sports or feeling comfortable indoors I believe sport bras are the best choice. 10.I do believe that because in this particular industry diversity is a must as nowadays consumer preferences are very subjective and change a lot. In order to be successful you must be able to fulfill even their unknown needs.


Marie Elise Conte, 28 
(Participant 3)


1.Yes 2. I do, but recently I have seen in VS shops lingerie that looks basic, and I did not like it. For me, the whole idea of VS lingerie is to be sexy and glamorous. 3. Not necessarily, or at least not because they are VS models. 4. Good marketing, being associated with lux and beauty. 5. Spectacular. Exactly the way a fashion show should be. 6. Keep it classy and valuable. 7. Mostly Debenhams and HM. I like models from other brands, but from the brands I usually shop, I can get a bra that fits perfectly without trying it. 8. Online, for saving time and avoiding crowds. 9. I prefer lingerie that looks good, even if it's not the most comfortable. 10. Definitely.


Bianca Niculescu, 22 (Participant 4)

1. Yes 2. I like the quality of their products and the prices are good as well 3. Yes I do think VS angels are a good role model for younger generations 4. because of the variety of their products
5. very cool and glamorous. I love it 6.I wouldn't change a thing about VS. I like the brand just the way it is. 7. VS, malls or online
8. I do prefer both online or in store.( in store because whenever I have a bite of time off I prefer to relax doing shopping\ online because when my time is limited it is much easier and faster ) 9. push up and comfortable
10. I'm not sure. I think every brand should be entitled to choose their marketing strategy and the type of models best fit their identity.






SOCIAL MEDIA MARKETING

-you need to create slightly different content for social media platforms as some are more text-based (conversation): Twitter, some are photo and video-based(YT, Instagram), while some are bringing everything to the table like Facebook. 



Source: https://conversationprism.com/



 Know your audience


-once you know who you are marketing to it should be easier to choose the type of content and the platform you want to use to drive sales. 

GEN Z 

Gen Zedder are considered digital natives and have an indirect buying power of over 1 Trillion Dollars in the US alone. 

Marketing to Gen Zedders rules:


1.Prioritize Instagram

A preference towards visual communication is clearly shaping how brands choose to advertise their products. Companies are using Instagram to market their products and start a conversation with younger audiences. For fashion brands, Instagram is a natural pairing and some brands even rely solely on their online platform as an advertising and promotional strategy, completely ditching traditional media. 

Facts:

- Gen Zedders access Instagram an av. of 16 times a day 
- More than one in five (22%) Brits use Instagram daily
- 13% more likely to be a student 
- 48% of people say they use the Instagram app more now than a year ago 
- Buying decisions of Gen Z are influenced by Instagram (48%) and YouTube (50%)
-  Visual content is 40x more likely to get shared on social media than other types of content

 (SMW London, 2018 and YouGov Report, 2018)


Your brand message needs to relate to your customers. Answering a few questions might be very helpful in identifying relevant content and best possible strategies:



  • Do people use your product or service in everyday life?
  • How does your offering improve those lives? 
  • How are you making the world a better place?
Using influencer marketing can be a jackpot if you know how to play the game. Distinguishing the right influencers that best match with your brand personality is essential for this strategy to work. 

2.Invest more in video

"Studies reveal Gen Z watches an average of 68 videos per day on five different platforms."

-  Video content is 8x more likely to be engaged with than photo based content  (SMW London, 2018 and YouGov Report, 2018)


In order to create a video personality for your brand, you have to know your audience: 


  • What do they look like?
  • How do they talk?
  • What are their personal interests?
  • What issues do they feel strongly about? 
  • What are their biggest dislikes?
Talking to instagram influencer Lydia Rose (@fashioninflux) revealed that users indeed prefer video content over photo-based and her following skyrocketed since she started to film her short styling videos. 


3.Commit to authenticity



Bob Tomei, IRI's president of Consumer & Shopper Marketing and Core Content Services stated the main findings regarding two studies on Gen Z shopping attitudes, purchasing behaviors and emotional drivers: "Gen Z is deeply motivated by authenticity and a brand’s emotional DNA, which we define as how completely a product or brand aligns with the values shoppers attribute to it. Because Gen Z shoppers rely more on brand recognition to make purchase decisions than their millennial counterparts, it is critical that manufacturers and retailers create transparent and authentic relationships with the Gen Z population early on to build loyalty as their purchasing power grows.”

Because Gen Z consumers were raised in a reality where the amount of information regarding brand messaging and promotion is huge and literally everywhere you look, they have naturally developed a sense for uncovering scams and differentiate brands that really commit to a cause from those that only say so to increase revenue.


For younger consumers, it has become essential today that brands show transparency and authenticity before anything else.



Source: https://www.entrepreneur.com/article/323387





THE POWER OF CROWDCULTURES 

"A decade in, companies are still struggling to come up with a branding model that works in the chaotic world of social media. The big platforms—the Facebooks and YouTubes and Instagrams—seem to call the shots, while the vast majority of brands are cultural mutes, despite investing billions. Companies need to shift their focus away from the platforms themselves and toward the real locus of digital power—crowdcultures. They are creating more opportunities than ever for brands....Companies can once again win the battle for cultural relevance with cultural branding, which will allow them to tap into the power of the crowd."


Before the dawn of this digital era, brands strongly believed that creating branded content together with using new online social platforms as a method of conveying their message and creating a direct link with the customer will generate consumer engagement and of course brand recognition, but only few brands turned out to reach online success, while others remained irrelevant. Why is that? 
"To solve this puzzle, we need to remember that brands succeed when they break through in culture."

Social media dramatically altered the way society works and how people access and consume information. Over the years, digital crowds emerged into an online phenomenon, namely "crowdcultures". Subcultures based on interests, opinions and general views. 



"Historically, cultural innovation flowed from the margins of society—from fringe groups, social movements, and artistic circles that challenged mainstream norms and conventions. Companies and the mass media acted as intermediaries, diffusing these new ideas into the mass market. But social media has changed everything."


Social media brings together people that live in geographically different locations, creating communities that grow rapidly and influence the online culture.  

"With a few clicks, you can jump into the center of any subculture, and participants’ intensive interactions move seamlessly among the web, physical spaces, and traditional media. Together members are pushing forward new ideas, products, practices, and aesthetics—bypassing mass-culture gatekeepers. With the rise of crowdculture, cultural innovators and their early adopter markets have become one and the same."


Evidence suggests that branded content is not the best method to break the internet or increase following, engagement and online recognition. Instead, "YouTube’s greatest success by far is PewDiePie, a Swede who posts barely edited films with snarky voice-over commentary on the video games he plays. By January 2016 he had racked up nearly 11 billion views, and his YouTube channel had more than 41 million subscribers."


Cultural Branding 

This is a very powerful approach that can make a brand successful over-night. It involves paying attention to cultural changes and movements, both online or in real-life. Identifying cultural opportunity creates great passage for brands to reach customers and grab their attention (and money). 


Examples of successful crowdculture-targeting on social media are Dove, Axe, and Old Spice.



"Axe mines the lad crowd. In the 1990s feminist critiques of patriarchal culture were promulgated by academics in American universities. These attacks whipped up a conservative backlash mocking “politically correct” gender politics. It held that men were under siege and needed to rekindle their traditional masculinity. In the UK and then the United States, this rebellion gave rise to a tongue-in-cheek form of sexism called “lad culture.” New magazines like Maxim, FHM,and Loaded harked back to the Playboy era, featuring lewd stories with soft-porn photos. This ideology struck a chord with many young men. By the early 2000s lad culture was migrating onto the web as a vital crowdculture.

Axe (sold as Lynx in the UK and Ireland) had been marketed in Europe and Latin America since the 1980s but had become a dated, also-ran brand. That is, until the company jumped onto the lad bandwagon with “The Axe Effect,” a campaign that pushed to bombastic extremes politically incorrect sexual fantasies. It spread like wildfire on the internet and instantly established Axe as the over-the-top cheerleader for the lad crowd.


By targeting novel ideologies from crowdcultures, brands can stand out.

Dove leads the body-positive crowd. Axe’s aggressive stand set up a perfect opportunity for another brand to champion the feminist side of this “gender war.” Dove was a mundane, old-fashioned brand in a category in which marketing usually rode the coattails of the beauty trends set by fashion houses and media. By the 2000s the ideal of the woman’s body had been pushed to ridiculous extremes. Feminist critiques of the use of starved size 0 models began to circulate in traditional and social media. Instead of presenting an aspiration, beauty marketing had become inaccessible and alienating to many women.

Dove’s “Campaign for Real Beauty” tapped into this emerging crowdculture by celebrating real women’s physiques in all their normal diversity—old, young, curvy, skinny, short, tall, wrinkled, smooth. Women all over the world pitched in to produce, circulate, and cheer for images of bodies that didn’t conform to the beauty myth. Throughout the past decade, Dove has continued to target cultural flashpoints—such as the use of heavily Photoshopped images in fashion magazines—to keep the brand at the center of this gender discourse."






Source: https://hbr.org/2016/03/branding-in-the-age-of-social-media




Friday, 1 February 2019

INFORMATION EXTRACTED FROM MINTEL


The following Information I extracted from Mintel helped me to better understand the lingerie market as a whole: how my chosen brand performed in latest years, how their main competitors did, how important advertising is and what the main trends are. 



"Victoria’s Secret continues to face criticism that its strategy is outdated as the retailer continues to underperform. Victoria’s Secret’s parent company L Brands reported a 3% decline in comparable sales in its 2017 fiscal year, negatively impacted by Victoria’s Secret exit from the swim and apparel categories during the year. However, the retailer is performing much better in the UK. The latest accounts filed at Companies House reveal that Victoria’s Secret’s UK arm saw sales increase 24.3% to £132 million in 2016. We expect this strong growth trajectory to have been sustained in 2017 as the retailer continues to expand its geographical coverage and reach new customers.
The retailer has been making significant adjustments to its product assortment, axing swimwear and apparel whilst minimising the number of soft bralettes within its range as it looks to play to its strengths. This appears to be having a positive effect, with L Brands reporting that comparable sales for the first quarter ended May 2018 increased 3% year-on-year.



Although Victoria’s Secret continues to report substantial sales growth in the UK, figures suggest that this growth is being driven by new store openings, with sales per outlet thought to be on a downward trend since 2014. We also expect a similar theme to have taken hold at Bravissimo in 2017, as the retailer has rapidly been expanding its store portfolio during the year, opening a net of four new stores in a challenging retail environment.
In contrast, Ann Summers has continued to see an uplift in like-for-likes since 2014. Although the retailer has reduced its store portfolio in recent years, total sales have been on an upward trend. In the year ending June 2017, revenues rose 7.4% to £109 million, with sales boosted by the retailer’s Party Plan business. This side of the business reportedly saw a renewed popularity following the ITV comedy-drama series Brief Encounters, which aired in July 2016 and documented the beginning of the Ann Summers brand by telling the story of four women who began selling lingerie and sex toys to women in the privacy of their own homes in the early 1980s. This resurgence in the Party Plan business has therefore helped to offset store closures, though we expect the impact of the series to soften in future as no further series of the programme are planned to help sustain interest.

Figure 28: Leading specialist underwear retailers’ estimated UK sales per outlet, 2012-17
                                           2012      2013      2014      2015      2016      2017
                                           £000      £000      £000      £000      £000      £000
Victoria's Secret UK        3,917     10,937   11,294   8,864     8,260     8,098
Ann Summers Ltd           815        718        760        761        848        950
Bravissimo Ltd  2,127     2,161     2,300     1,964     2,010     2,000
Boux Avenue     1,068     1,420     1,589     1,675     1,734     1,759
Calzedonia Group UK*   na          na          na          na          914        957
Rigby & Peller Ltd           1,147     1,086     1,074     913        883        867
Agent Provocateur Ltd  1,348     1,849     1,979     na          na          na

We also ran a repertoire analysis on this data to identify the extent to which consumers tend to shop around for underwear, nightwear and loungewear. The research suggests there are relatively high levels of brand, or at least retailer loyalty, in the sector. One in two consumers (48%) have shopped with just one retailer for underwear, nightwear or loungewear in the last year.
This aligns with relatively low average spend per person (see How Much They Spend) and together these two datasets imply that purchasing frequency is low within this market.
Analysing this data by demographics, we can see that men are significantly more likely to shop at one retailer (54% have done so in the last year) whereas women shop around more. Meanwhile, a similarly pronounced trend appears by age, with older shoppers more loyal to just one retailer, whilst younger shoppers buy underwear, nightwear and loungewear products from a variety of different retailers. This lesser brand loyalty amongst young shoppers could well erode the dominance of players like M&S and Primark in future as young people will likely retain their preference for shopping around as they age and appear to be much more experimental in their underwear purchasing than their older counterparts.


M&S is the market leader in the UK underwear, nightwear and loungewear market by some distance, driven by the retailer’s dominance in the women’s underwear market. We estimate that M&S captures approximately 20% of consumer spending on underwear, nightwear and loungewear. However, M&S’s strength in this category does appear to be softening as the retailer faces increased competition in the market.

One of the defining trends in the UK fashion market in the last year has been the shift towards greater inclusivity and this is having a big impact on the underwear market. There has been a significant uplift in digital advertising in the market and this has given underserved consumers more of a voice, which in turn has placed pressure on brands to use models that better represent their customer. As a result, there has been much more diversity in underwear advertising, which we expect to become the norm.





Brand research reveals that Triumph International-owned brands Triumph and Sloggi garner the highest levels of trust amongst UK consumers, with both brands strongly associated with offering good value and consistent high quality. Victoria’s Secret and Calvin Klein also scored highly across a number of key attributes, with these brands most likely to be seen as trend-setting, stylish and worth paying more for. Meanwhile, Heidi Klum Intimates and Curvy Kate suffer from more limited brand awareness.
In 2017, Triumph International overtook M&S to become the highest spending company in terms of on underwear and nightwear advertising in the UK. This increase in expenditure aligns with the group’s new global strategy, which the company announced in mid-2017. The transformation programme, which we discuss in more depth in the Competitive Strategies section, was conceived to capitalise on the full growth potential of each of Triumph International’s brands by operating them as separate business units, with their own dedicated sales and marketing teams. Therefore, a significant increase in expenditure was perhaps inevitable.
In contrast, UK underwear market leader M&S significantly reduced advertising expenditure. During 2017, the retailer’s marketing strategy underwent a significant transformation, unveiling a new campaign which united the retailer’s food and clothing divisions under a single tagline and philosophy for the first time in its history. The new “Spend It Well” tagline which was unveiled in May 2017 was designed to promote M&S as a retailer that offers value for money by focusing on quality experiences. Ahead of the campaign, M&S spoke about its intention to promote a shared attitude that connects with consumers regardless of age or demographic. The adverts sold an attitude rather than targeting a specific age group, as the retailer looked to offset criticism that it continues to market itself at too young an age group. This shift in advertising strategy likely played a significant part in the retailer’s reduced advertising spend on certain product categories, such as underwear, as it looked to promote a message as opposed to specific products.
Elsewhere, Tesco, Intimissimi, Calvin Klein, Bravissimo and Victoria’s Secret were amongst those that significantly increased expenditure on advertising underwear and nightwear. Meanwhile, Wacoal, Debenhams and Asda all reduced advertising spend on the category, but again it is worth noting that this may be due in part to increased promotion on social media as opposed to other marketing channels.

Figure 35: Total above-the line, online display and direct mail advertising expenditure on underwear and nightwear, by leading advertisers, 2013-17
                                  2013    2014    2015    2016    2017
                                 £000     £000    £000    £000    £000
Triumph International   725      902      1,443   437      1,504
Marks & Spencer           803      1,704   2,555   1,860   677
JML Direct                   1,692   644      62        -           543
Intimissimi                    317     385      449      215      454
Asda Stores                  226     65        72        1,109   445
Calvin Klein                  409     83        95        35        429
Boux Avenue                320     386      408      228      267
Fashion Forms               21      26        -           -           177
Freemans Grattan Holdings      -           -      - 118        176
Tesco   781      110         -       2          171
House of Fraser 123         -       8                           -     73
Bravissimo Lingerie       -           5          165      2          53
Under Armour   -           -           -           18        51
Wacoal 516      371      229      196      51
Debenhams      -           34        423      663      50
Victoria’s Secret                -      175      241      13        42
JD Williams       150      249      141      31        39
Solendro           -           -           -           -           35
Agent Provocateur        12        37        28        19        30
Maison Lejaby   1          -           1          -           21
Others  1,417   1,832   1,851   1,280   250
Total     7,512   7,008   8,171   6,226   5,538



Total above-the line, online display and direct mail advertising expenditure on underwear and nightwear, by media type, 2017



























Estimated consumer spending on underwear and nightwear, by category, 2018


As the chart above illustrates, womenswear continues to dominate the UK underwear, nightwear and loungewear market, accounting for approximately 70.2% of total spending. Whilst menswear accounts for just 29.8% of consumer spending, growth in this segment is outpacing womenswear as more men are becoming invested in their personal appearance. This combined with the increased focus amongst UK retailers on menswear has fuelled growth in a number of key menswear categories, including underwear, as men have more choice than ever before





New brand launches – Les Girls Les Boys and Savage x Fenty
In the last year there have been a couple of particularly high-profile brand launches. In May 2017, it was announced that Agent Provocateur co-founder Serena Rees was set to launch a new underwear label later in the year, and the Les Girls Les Boys brand was officially unveiled in September 2017. The new label is designed to be gender-fluid and a fusion of underwear, nightwear and streetwear. The product assortment comprises bras, briefs, bodysuits, rib jerseys, t-shirts, vests, pyjamas, boxer shorts, hoodies and joggers, available in sizes XS to XL, with retail prices ranging from £20 to £120.
This was followed in May 2018 with Rihanna’s Savage x Fenty launch. Ahead of the unveiling we discussed the possibilities of the brand in our Analyst Insight Is Rihanna about to disrupt the lingerie market? – 24 April 2018. However, since that was written the first collection has been officially launched, with much acclaim and confirming many of our suspicions. The new brand has been praised for its body-positive approach, offering products in wide range of sizes, alongside nude underwear in a wide range of tones. Bras are available in UK sizes 32A to 44DD, with other lingerie, underwear and loungewear products coming in sizes XS to 3XL. The range is also designed to be affordable and accessible to as many consumers as possible, with prices starting at £10.60 and shipping available to 210 countries worldwide. There is also a membership scheme available for £36.80, giving consumers access to free shipping, early access to new products and limited-edition items for a year and the brand launched a pop-up in London in June 2018 to give it more exposure.
Prior to this a number of brands with a sustainable focus launched in 2016, including Copenhagen-based Woron and Lara Intimates. Woron currently has over 40 stockists across Europe, including three sustainability-focused retailers in the UK. Lara Intimates is a UK-based business that uses industry off-cuts to produce its lingerie garments, currently only operating online."



Source: Mintel 2019